A. Victimhood It is a total reaffirmation of “we Arabs are always innocent victims”.
B. Fake grace ‘Mouna’ (mother of “Tarek”) is a “bad” actress, trying so hard to pose as “gracious”, she does a terrible job in convincing, she never really projects it, but rather as a time-bomb, waiting to explode every minute.
C. Arabs don’t need to apologize… Richard Jenkins, playing “Walter”, the American professor who all-of-a-sudden falls in love in Tambor-drumming, apologizes again and again for the FED’s arresting ‘Tarek’, an illegal immigrant, especially when he has been deported, he apologizes helplessly to Tarek’s mother for US’ (so called) “treatment”…, yet you don’t hear any apology from Tarek or his mother for what Arabs did to Americans that caused Americans to be wary of Arab immigrants more than of any other immigrants…
D. Arab or African? Somehow an Arab (“Tarek”: Haaz Sleiman) stars in African type of (drumming) music, how come? Is this an attempt to “dress” Arabs as Africans, thus alienating some Africans (those carrying a grudge) against whites?
E. Why come? If Arabs hate it over here, Why still come and immigrate, legally or illegally? And what is the big “horror” played in the film for a LEGAL deporting of an illegal alien anyway (you hear that phrase “it’s unfair”, again and again, making sure you hear that ‘Arabs have issues’…)?
By the same token it avoids the tale of terrible corruptive and cruel governments such as Syrian, “Palestinian”, etc. where they are running from…
F. Stupidity, ‘Tarek’ tries to argue that “I am not a terrorist, terrorists are well connected and protected“… what kind of argument is that? Besides, there are Arab terrorists who are loners, or those well connected but pose as loners… in order not to expose their contacts.
G. An immigration issue? Another apparent attempt of alienating is posing “Tarek” as an “immigration” issue, thus another effort is being made by Arabism (the divider) to gather some Latinos’ support against mainstream America.